Introduction:
Hello my friends, today we’ll be taking a look at NovelKeys’ “Cherry Charcoal” dye-sublimated PBT keycap set. This is an un-sponsored review; I bought the set for myself and just wanted to share my thoughts.
As the name implies, this keyset is sculpted in Cherry profile. Said another way, these will be pretty much the same shape as GMK keycaps – just made of a different material and colored using a different method. If you’ve never used Cherry profile before, chances are it will still be pretty familiar to you – the shape is a lot like the standard one found on just about any and all keyboards from the 90’s and early 2000’s – just a little less tall and wide.
Kit Coverage:
Starting with one of the most objective things about the set, let’s talk coverage. Like NovelKeys’ other house PBT sets, this one only has one main kit, and it comes with 180 keycaps. This should cover most layouts, including Alice / Arisu boards thanks to an extra “B” key. In addition to the wide coverage, the kit also comes with accent keys in three different colors in addition to the base-colored ones. These sets have unusually generous coverage by any standard, and I think it’s great everything comes in one kit.
Here are the images from NovelKeys’ sales page:
Packaging:
Well above-average in quality in the world of keysets. I’ll put it this way – you’d have to spend more than twice as much to expect better packaging with your caps.
We’ve got a black cardboard box with a printed paperboard sleeve featuring themed branding for the set. Inside the box are four layers of plastic trays, each sandwiched between layers of black filter foam. I’d call it a decent balance between space-saving and protection, leaning more towards protection. Presentation is also nice. I mean, hey – overall this is better packaging in almost every conceivable way than you’ll get from either of the two top-shelf manufacturers GMK & Signature Plastics.
Material Quality:
Sets sold as “PBT” come in a variety of blends, composites, and qualities. Many pure sets feel extra dry, almost bony – while some blended sets feel more or less like ABS down to their tendency to shine after a while. For me, these hit the sweet spot: between the feel of desert-dry bone and amorphous plastic is the feel of time-worn stone, and that’s the feel the surface of these caps has. More dry feeling than ABS, but not so dry as bleached bone. Texture is on the fine side of normal for PBT; the grain is fairly small and it’s not rough. Enough to feel but not enough to get caught on.
The caps have an ample thickness; an average of 1.4mm according to my calipers. Like many other aspects of these sets, I’d call the amount of material on-offer here well balanced. Plenty to give the impression of quality, but not so much that anything else is sacrificed for it (like straightness or compatibility, for example).
Like pretty much any pure PBT set, these are shine-free and should stay that way for a very long time. I’m talking about those glossy spots that form over time from wear and finger oils; the caps do have a base level of shininess like most plastics, as you can see above.
I type a lot, to the point where I gloss-up a GMK space bar within the first day. After nearly a month of use, this NK_ set doesn’t have any more shine than it did in the box. I’ve been using another of NK’s PBT sets, Taro, as my daily driver and switch testing set for about three times as long, and it still looks brand new. These sets do a fantastic job of bridging the gap between aesthetic quality and workhorse durability.
Molding Quality:
When it comes to PBT, I think this is the make-or-break quality point. Excelling here stands-out, and failing here places a set in one of the lowest rungs: warped and useless. PBT is notoriously difficult to mold accurately and reliably when compared with something like ABS, and countless manufacturers have failed in valiant attempts at making straight space bars from the material. In days past, manufacturers just considered the feat impractical enough so as not to be worth trying – this is why so many vintage keyboards have pristine keys but a yellow space bar – PBT doesn’t yellow, but ABS does. Thanks to consistent demand from the custom community, modern manufacturers have kept trying, and at least a few have nearly mastered it – at very least to the point of being competitive with the average ABS bar. So where do these sets stack up?
Well – I’m happy to report that the molding quality on NovelKeys’ latest PBT sets is excellent. Sprue marks are on the bottom-inside rather than any of the outer surfaces – always a plus. Cap walls are nice and flat where they should be. The space bar is flat! Stems are straight and do a good job gripping switch stems – at least most of them. Depending on the brand of stabilizers you are using, the space bar may not grip the stems well enough to stay seated; for example, they lose grip on the C3 Equalz V2 stabs on my Portico – much like Infinikey (IFK) sets, but they seat onto Owlstabs just fine. If you have stabs with small-ish stems, fear not! There is a safe solution:
PTFE (Teflon) thread tape – the stuff that probably came with your last shower head. Alongside OKLB’s compatibility washers, I consider this stuff absolutely essential to keep on-hand for any keyboard enthusiast. I also consider it to be the only material safe to use for shimming keycap stems – even plastic wrap can break them, but PTFE tape just mushes out of the way when it has to. Between two and four layers pressed onto the stem is enough to make the space bar work exactly as intended on the C3 Equalz V2 stabs.
Printing Quality:
Another hallmark of PBT keycap set quality is printing clarity and alignment. Dye-sublimation will never be as crisp, clean, and consistently accurate as double-shot molding, but the closer it gets, the better. Cheap or poorly-executed dye-sub legends tend to be blurry, muted, crooked, and off-center – and sets like that are a dime a dozen.
This set relies on a technique called “reverse” dye-sub, where the legend color is actually the main color of the plastic, and the background color of the cap is actually the sublimated dye. Any dye-sub set with legends a lighter color than the background must be done this way because dye-sublimation can only darken a material, never lighten it. For the most part, this just meant that nobody even bothered trying to make dye-sub sets with lighter legends than backgrounds – but eventually the custom community pushed this innovation into viability.
The last time NovelKeys tried doing a house PBT set, they chose a manufacturer that uses a double-shot injection technique – unfortunately for them, this manufacturer cut some corners and sacrificed fully-functional stems for super-crisp legends. It takes carefully-developed tooling to reliably produce a double-shot PBT set, and this company made a fatal compromise that resulted in multiple stems being unable to hold the caps on straight. NovelKeys quietly sold out of those and never spoke of them again, and I don’t blame them.
So – how did these turn out?
Great!
While not the very most crisp I’ve ever seen in the medium, the edge clarity of the printing on these keys is quite good. Above average, at least – especially for reverse dye-sub. Alignment is very good – no registration issues of any kind have stood out to me as I’ve been using the set for the past few weeks.
Color:
The main color is a nice, rich black – both in the common use of the phrase and the printing-industry specific one. That is, the black dye has color in it, giving it a deeper appearance and in this case giving it a “cool” (as in color temperature) quality. Depending on the lighting conditions, this keyset either looks a neutral jet black or a slate blue-black.
For most of the keys in this set, the base color of the PBT plastic is a cool, “battleship” middle-grey, and the sublimated dye is a cool slate-black. There are also three sets of accent keys; one set with the same color plastic but normally dyed instead of reverse – that is, black legends on the grey background. Another accent set is ivory-white with black legends, and the last set is a very warm light ash-grey that’s between the ivory and battleship in terms of shade, but markedly warmer than any other greys in the set.
Caveats:
This is a section where I’d normally consolidate all the nit-picks I’ve had throughout a review and assemble them into a succinct package of suggestions for the retailer and/or manufacturer – but in this case I really only have the one: the space bar stems don’t grip some brands of stabilizer stems very well. This is pretty common with PBT sets in general, and something I’ve seen consistently with brands like IFK (which has also made me wonder if they’re the manufacturer for this set), and thankfully it’s pretty minor here and completely addressable with just a smidge of non-adhesive PTFE tape.
Value:
Here’s where it all comes together. By now you’ll probably know how good the set is and if you want it – time to figure out if its worth the price. How much are these, anyway?
$95 in-stock.
Considering the coverage, quality, and performance of this set, I think that’s a spot-on retail price.
With cheap PBT sets, you’re always getting into a gamble: Is the printing good? Is the space bar warped? Are the stems straight? Does the set support my non-standard layout? With these, you know what you’re getting: full-coverage, clear printing, good color, and controlled quality.
I really can’t think of a keycap line I’d sooner recommend for daily driver sets: these have all the durability I’d want from a work-horse but also much of the aesthetic flair I’d look for in a luxury or premium set. I think right now, NovelKeys’ PBT sets are as close as one could possibly get to having truly the best of both worlds. All that in mind, I consider $95 to be a solidly fair price – and at that price, I consider NovelKeys’ PBT Cherry profile sets like this one to be an excellent value.